| Spaces of Participation: Topographies of  Political and Social Change in Morocco, Egypt and PalestineMoroccan TeamAlthough  the project in Morocco consists of two cases studies, one in Casablanca and the  other in Rabat, the team seeks to work within a coherent vision that will allow  the two case studies to fit into a wider understanding of how different kinds  of space in Morocco are constructed, used and invested to create opportunities  for political pressure and participation of different kinds. Whether the  authorities resist or express some support is not given as such positions may  change in the light of the varying circumstances.The  first case study (Mohamed V Avenue,  Rabat) can be said to be a temporary space and is a place of continuous tension  between authorities and protestors, a tension that often leads to violence to disperse  crowds on the avenue. The second (Lbatwar)  is somehow a fixed a space, used for cultural activism and expression. Although  it enjoys some "official" support, it remains a fragile and poorly  funded space that could disappear at anytime.
 
 The Re-Construction of Public Space  as a Way of Political Socialization and Participation: The case of Mohamed V Avenue in  Rabat Prof. Mokhtar El  Harras Hicham Ait Mansour
 Mouloud Amghar
 Mohamed V Avenue in Rabat in front of Morocco's parliament  building is a space heavily utilized by protest groups of all kinds. They include  unemployed youth among college graduates, which is a very active movement that  has been using this space as its main point of protest for about 20 years.  Other groups include protestors complaining about high food prices and human  rights demonstrators seeking greater gender equality rights for women. More  recently wider political protests, such as the 20th February Movement, have  been taking place on the avenue that call for deep political reform to  establish true democratic rule in Morocco. The space can be said to be a  temporary (or discontinuous) space of continuous tension between authorities  and protestors that frequently leads to violence to evacuate the space. The  plurality of protestors as well as the symbolic aspect of this space makes it  ideal to study as a space of political pressure and participation.  The Research Questions  Are: 
                How the space emerges for each group? The process, the construction and the  meanings.Why do these spaces emerge as a venue  for political socialization and participation as opposed to traditional  political institutions i.e. political parties? The motivations and perceptions.What is the relationship between the  physical and virtual spaces and how do they relate? Do  these spaces give rise to change? What are the strategies and issues  that each group adopts to invest in the public space? What are the gender dimensions and  issues that arise in these spaces.   The target groups are: Human rights associations,  women's rights groups, the unemployed and political groups.
 
 Main Steps  and Methods:First, a critical literature review will be undertaken  including both theoretical issues of space and participation as well as studies  undertaken in Morocco on the subject. Such a review will permit the  identification of existing knowledge and also identify the gaps in literature  to make sure the project brings in new insights.
 As far as the methods are concerned, the project will  use a mixed-methods approach. A quantitative survey to measure the attitudes  toward the public space as a way of political socialization will be conducted  with a sample representing the four target groups (no less than 400  participants). However, since space is "socially constructed", it is  necessary to conduct qualitative research to answer questions that would not be  covered by the quantitative survey. For this purpose, a variety of methods will  be used such as in-depth interviews, ethnographic approaches such as  participant observation, focus groups and documents analysis including  photography.
 
 Lbatwar: a Cultural Space in the City of  Casablanca Dr. Fadma Ait Mous The space that Fadma Ait Mous  studies is the site of Casablanca's old slaughterhouse. It's locally known as "les  abattoirs" or "Lbatwar". The Lbatwar is located in Hay Mohammadi, Casablanca's  historic industrial neighbourhood. The building was designed by a French  architect (G-E. Desmarest) and was completed in 1922. The idea to convert  Casablanca's old slaughterhouse into a cultural space became a reality in 2008  when a series of workshops were organized by Casablanca officials in  collaboration with officials from Amsterdam in order to build connections  between culture and industry. A cluster of cultural actors and associations  revisited the "Slaughterhouse Project" responding to a request by the  mayor of Casablanca. It is a place of many cultural events held mainly by  cultural and youth NGOs (Racines, Casamémoire, L’boulevard des jeunesmusiciens,  etc.) and became a well-known centre  for the arts with local and global artists exhibiting/performing as well as a  gathering point for people from the neighbourhood. Although it  enjoys some "official" support, it remains a fragile and poorly  funded space that can disappear at anytime. In February 2013, despite the  support of the king to register the space as a place of national heritage,  government officials started to use the space as a parking lot. The artist  community mobilized via online and offline networks (a petition, a Facebook  page named "Save L’Batoir", blogs and forums, etc.) and created a  protest movement to reclaim the space. 
 Lbatwar is mainly characterized by its emergence as a renewed cultural space in the  city of Casablanca. The project aims to analyse power relationships between the  city and the NGO's involved (tensions, control, hierarchy, power, etc.), the  multiplicity of actors and their uses of the space and the meanings they  associated with it, as well as the link between virtual and spatial. The  project will also look at sources of funding and alternative identities and  discourses. The main methods used  will be in-depth interviews with the members of the Lbatwar collective, participant observation, focus groups and  analysis of documents.
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